13.3 - 18.4
SOLO BY INDIO MÖGLICH:
LIVE ALL YOU CAN IT’S A MISTAKE NOT TO
I am a rocket ship penetrating the stratosphere of the arts and design world.
I am a wild dog with rabies. I am obsessed with luxury. It permeates every aspect of life.
The inherent violence, brutality and presence that glass as a material demand fuels me.
It’s like being a cocaine-powered line-cook during rush hour, or a f-35c pilot during takeoff for a bombing run.
We live in a class-based society. Even a simple vase solidifies your place in the caste system.
This attitude pervades even our view of the afterlife – think of the lavish pyramids.
The flowers and skulls serve as an aesthetic encouragement to get the most out of your brief existence on this planet.
By placing one of these vases or skulls in your living room, you establish yourself as a modern pharaoh - a kingdom-leading personality, like Ramses II.
Grandeur, opulence, extravagance.
Status symbols transcend even into death.
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INDIO MÖGLICH
INDIO WAS A PART OF OUR OPEN CALL AND WHEN WE FIRST SAW HIS GLASS SCULPTURES WE HAD NO DOUBT. HIS PIECE, THE FAMOUS ‘CATHOLIC PUSSY’ BECAME THE CENTERPIECE OF THE EXHIBITION AND MANY VISITORS WERE MESMERIZED BY THE BEAUTIFUL WORK.
HE IS FROM THE ROYAL ACADEMY AND THROUGH BOTH CLASSIC - AND NEW WAYS, HE MASTERS THE BEAUTIFUL AND FRAGILE MATERIAL OF GLASS. BROKEN, DECONSTRUCTED, HEALED AND SHAPED. EACH UNIQUE PIECE DRAWS YOU IN AND SPARKS THE IMAGINATION OF THE STORY AND ORIGIN.